Club& Street Reporters














SPONSORS | Rants and Raves | Soul BluesNews Notes | The Boogie Report Newsletter | Radio Reporters | Internet Radio Reporters | Club& Street Reporters | Network Reporters | Gospel | Blues Reporters | Trade Magazine and Reporters | Southern Soul Charts | Caribbean Music Charts | UAC Charts | Rap/Hip Hop Charts | USA Mainsteram Album Charts | Zydeco Music Charts | All Sermons Radio | BOOGIE RADIO | GLORY RADIO | Boogies Record Shop | MYSPACE | Just Like That | Boogies Picture Show | Photo Gallery | Leighala's Lair | Mom&Pop/ Retail/Distributors | Music Pools | SoulExpress | Southern Soul Top 20 Countdown | MUSIC SHOP | At The Theatre | OP/ED | Southern Soul Artist | Southern Soul Product Review | New Music | CONCERT REVIEWS | CLUB NEWS | TRAILBLAZERS | EVENTS | LINKS | Daddy B Nice | CONTACT | Tellin It Like It Tis!!! | Blues Critic Review | Da Dawg Pound | Legends | Pace Entertainment &Promotions





Get The Newsletter
Email:

cookie.jpg


From: cookie jordan <cookiejordan2005@yahoo.com>
                  Subject: Chart Report
                  Pee Dee Region Reporter;Cookie Jordan
                  City/State Florence, South Carolina 
                  Email: CookieJordan2005@yahoo.co
                     *******   Happy Holidays   *******
                  Christmas Is Radio (Rhythum- All-Stars)
                  Miss U At Xmas (Al Lindsey)
                  Everyday Will Be Like A Holiday(William Bell)
                  Merry Christmas Baby (Diedra)
                  Silent Night (The Temptations )
                  Here Comes X-Mas(Carl Marshall)
                  Jingle Bell ( Fats Domino)
                  *******   MILLENNIUM SOUL & R&B   *******
                  1*Let Me Into Your Arms Again ( Eddie Leon )
                  2*Gon Ball Tonight (Jeffery Singleton)
                  3*Lock The Door ( Jeff Floyd )
                  4*I.m His Only Woman(Fantasia & Jennifer Hudson)*
                  5*Come Back Home ( The Rhythum All Stars)
                  6*Don't Give Up On Me (Clarence Dobbin)
                  7*It Is True(Syleena Johnson)
                  8*Midnight Rendezous (Leon McMullen)
                  9*I'm A Woman ( Nellie Tiger Travis )
                  10*Love That Girl ( Rapheal Saadiq)
                  11*What You Want Me To Do ( Theodis Ealey/Latimore) 
                  12*I'm Givin Up The Streets ( Rue Davis )
                  13*Came To Party (Stan Mosley ) 
                  14*When You Pack Your Bag (Vic Allen)
                  15*Stay With Me (Stephanie Pickett)
                  16*Xantha ( Soft Love )
                  17*I'm Falling (Wilson Meadows)
                  18*Party Goin On ( New Ghetto Cowboy)
                  19*Do The 45(Ryan Shaw )
                  20*Man Enough (Karen Wolfe)
                    *******     Classic  Jams   ******
                  Money ( Lamont Dozier}
                  Do You Love What You Feel (Chaka Khan & Rufus Thomas)
                  Think ( Lynn Collins ) 
                  ******* What's Fresh and  New *******
                  What U Needed ( Diedra )
                  I Can't Stand The Rain ( Willie Clayton )
                  I'm Gone Party (LJ Echols)
                  ****** New Music Request ******* 
                   Telle;  (843)407-5493
                   Email; CookieJordan2005@yahoo.com
                     
                     

pic061506_8.jpg

D.J. QUIET STORM
121 HUBBARD STREET
BERNICE, LA 71222
 
 (318) 285-0365
 (318) 364-6890
 
 
EXECUTIVE BLUES LOUNGE 
RUSTON, LA.    (SHOW FRI, SAT, & SUN 9:00 P.M.-2:00 A.M.
 
 
   1. I JUST LOVE WOMEN- DAVID BRINSTON
   2. ONE NIGHT STAND- ANDRE LEE
   3. GIVING UP THE STREETS- RUE DAVIS
   4. ANOTHER MAN'S GAIN- WILLIE CLAYTON
   5. I'M GONNA PARTY- LJ ECHOLS
   6. WIGGLE, WIGGLE, WIGGLE- MR. X
   7. LOVE SEAT- JAKE THE SNAKE
   8. I JUST WANNA PARTY- WALTER WAITERS
   9. REST MY BONES- GREGG A SMITH
 10. I'LL BE YOUR SHUGGA DADDY- O.B. BUCHANA
 11. BEAUTY SHOP- OMAR CUNNINGHAM
 12. I CAN'T LET YOU GO- MARVIN SEASE
 13. I'M A WOMAN (REMIX)- NELLIE "TIGER" TRAVIS
 14. I MIGHT AS WELL PARTY- SANG-N-CLARENCE
 15. THAT BODY- JEFF FLOYD
 16. SANG NO MORE- CALVIN RICHARDSON
 17. GOTTA GET MY MONEY RIGHT- TJ HOOKER TAYLOR
 18. DANCE FLOOR- JOUS BAND
 19. 2 STEPS- NATHANIEL KIMBLE
 20. WHERE'S THE PARTY- SHEBA POTTS-WRIGHT
 
   (318) 285-0365
   (318) 608-0209

stanpicedit.jpg

Dj Stan Da Man
Dirty South DJ's
601-720-8063
 
Club DJ - WMPR 90.1
 
 
 
 
 
Club Hitz
 
1.Lock My Door  Jeff Floyd
2.I Got The Feelin Reggie P.
3. When You Pack Your Bags Vick Allen
4. Gotta Find a Good woman Stevie J
5. Just Because Hes Good To You O.B.Buchana
6. Country Woman Lee Shot Williams
7. Miss U - Labrado
8. Your dog's about to kill my cat - Ms Jody 
9. Sang No More Calvin Richardson featuring Omar Cunningham
10. Booty Roll Seve Perry
11.Hit It From The Back L.J.Echols
12.Stuck - Rhythm AllStars
 
 
 
 
 

djrod.jpg

DJ Sir Rod
Rod Jones
815 West Block St.
El Dorado, AR. 71730
870-918-4382
 
 
 
 
 
 
 
 
 
 
 
 
 
01.You're just playing with it-- OB Buchana
02.One For The D.J.---  Kenne Wayne
03.Booty Roll (Remix)-- Steve Perry
04.Don't Stop the Music--- Mose Stovall
05.Stay In My Arms--  David Sea
06.Stayed So Long (rebirth)---Gregg A. Smith
07.Keep It Mov'in---- Diedra
08.Get Away--- Roni
09.Unforgettable Dream---Reggie P.
10.Who Knows You--- Nellie`Tiger' Travis fea: Stan Mosley
11.Ain't No Love Like My Baby's Love--- Bobby Rush
12.I Can't Take It--- 100% Cotton
13.I Just Love Woman- David Brinston
14.Because Of Me---- Stevie Jay
15.Quiet as It Kept--- Marvin Sease
16.It's Hard To Explain--- Brother Tyrone
17.It Is What It Is---- Wilson Meadows
18.Pop That Coochie-- Sir Charles Jones
19.You Make Me Happy-- Nathaniel Kimble
20.You're Got Me--- Donnie Ray
 
Sir Rod
815 West Block St.
El Dorado,AR. 71730
870-918-4382
roderickjones@sbcglobal.net

djtre.jpg

DJ TRAY

Urbana, IL 61801
(217) 202- 2920
Djtray1@comcast.net

 

 1.) So Good To Me - Ricky White
 2.) Crazy 'Bout You Baby - David Brinston
 3.) How You Feel About Me - Bobbie Rogers & Andrew Edwards
 4.) I Made It - Betty Padgett
 5.) I'll Be Your Shugga Daddy - O.B. Buchana
 6.) Loop The Loop - Will Easley
 7.) The Beauty Shop - Omar Cunningham
 8.) You Just Playing With It - O.B. Buchanna
 9.) Just Say the Word - Big G
10.) It Is What It Is - Wilson Meadows
11.) Wrong Bed - Lee Shot Williams
12.) I'm Giving Up The Streets - Rue Davis
13.) Stuck - The Rhythm All-Stars
14.) Lock My Door - Jeff Floyd
15.) Moan (Remix) - Patrick Harris
16.) Get Right - Dexter Allen
17.) Lock My Door - Jeff Floyd
18.) From The Back - LJ Elchols
19.) I'll Work For You - The Rhythm All-Stars
20.) What We Needed - Diedra
21.) Booty Roll - Steve Perry
 
 
 
 
DJ TRAY
707 E. Burkwood
Urbana, IL 61801
(217) 202- 2920
Djtray1@comcast.net

jerry3.jpg

DJ GRANDMASTER TOP MUSIC COUNT DOWN
DJGRANDMASTER1@YAHOO.COM
WWW.MYSPACE.COM/djgrandmasterg
334-220-0655 cell or 334-261-1090 home
 
STILL IN NEED OF NEW PRODUCT
 
ATTN: DJGRANDMASTER
          100 SUNSET RIDGE
          MONTGOMERY,AL 36108
 
 
1. YOU'RE JUST PLAYIN' WITH IT - OB BUCHANA
2. SHAKE SOMETHING LOOSE - JEFF FLOYD
3. WIGGLE WIGGLE WIGGLE - MR. X
4. MOD - NELLEY TIGER
5. ANOTHER MAN GAIN - WILLIE CLAYTON
6. IF I HAD MY WAY - DONNIE RAY
7. I'M GONNA GET MINES - FRED BOLTON
8. QUIET AS IT'S KEPT - MARVIN SEASE
9. MAN ON A MISSION - WILLIE HILL
10. HARD WORKIN WOMAN - DAVID BRINSTON
11. I CAN'T  SEE MY SELF - LOLA
12. POP THAT COOCHIE - SIR CHARLES
13. STUCK - RHYTHM ALLSTARS
14. YOU'RE THE ONE - KENNE WAYNE
15.  ROCKIN' THE BOAT - BOBBYE JOHNSON
16. LONG RIDE HOME - SOUL CHILDREN
17. BEAUTY SHOP - OMAR CUNNINGHAM
18. TR ME - TK SOUL
19. BOY TOY - PAT COOLEY
20. GOOD LOVING - CARL MARSHALL
 
THROW BACK SONG * CAN'T SLEEP AT NIGHT- RAWLES AND LUCKY
SONGS TO LOOK OUT FOR:
1. GUILTY AS CHARGE - SWEET ANGEL
2. GIRL LETS STAIGHTEN IT OUT - PRINCE KENYATTA
3. I'LL BE DOG GONE - JO US BAND
 
ALSO CATCH MY GOSPEL SHOW ON SUNDAY MORNINGS ON THE BLACK FIND STATION. AT LIVE 365.COM.
 
I ALSO NEED GOSPEL PRODUCT ALSO PLEASE SEND ME YOUR PRODUCT ASAP,SO I CAN GET IT SPINING ON MY SHOW.

aj.jpg

A.S.H. ENTERTAINMENT
Lady AJ "The Jam Diva"
Littleton, NC 27850
 
1. Hooked On The Blues-Floyd Taylor (Malaco)
2. Woman-Nellie Tiger Travis (CDS)
3. Lock My Door-Jeff Floyd (Wilbe)
4. Booty Roll-Steve Perry
5. It's Friday-Lee Shot Willliams(CDS)
6. At The End Of The Day-Lee Fields(CDS)
7. Mr. DJ-Stan Moseley(CDS)
8. It Is What It Is-Wilson Meadows(MM/Brimstone)
9. When You Pack Your Bags-Vick Allen (Waldoxy)
10. Beauty Shop-Omar Cunningham (Soul 1st)
 
 
          SERVICE ALERT!!
****A.S.H. Entertainment will promote your product.  Please send to P.O. Box 706 Littleton, NC 27850.  In need of product from Mr. David, Marvin Sease, and Big Cynthia.  Still waiting on music from Mr. Sam, J. Blackfoot and TK Soul.
Thanks.

1bsmoothe.jpg

DJ BOBBY SMOOTHE
                                              REPORT FOR 10/14/08
 
1.LOVE SLIDE--CUPID/REMIX
2.WRONG BED--LEE SHOT WILLIAMS
3.2 STEP--NATHANIEL KIMBLE
4.THIS PARTY IS A MUTHA--O.B.BUCHANA
5.THAT'S MY JAM--OMAR CUNNINGHAM
6.MOAN/REMIX--RICK HARRIS
7.MR.DJ--STAN MOSLEY
8.I'LL STILL LOVE YOU--RICKY WHITE
9.TELL THE TRUTH--BOB STEEL
10.MAKE A CHANGE--BETTY PADGETT
11.IT'S ONLY YOU--BARBARA CARR/ft.ROY
12.LOVE CHRONICLES--ARCHIE LOVE/ftJ.BLACKFOOT
13.ANOTHER KIND OF FOOL--BOBBY RUSH
14.LOCK MY DOOR--JEFF FLOYD
15.IT'S HARD TO EXPLAIN--BROTHER TYRONE
16.GOT TO GET MY MONEY RIGHT--TJ HOOKER-TAYLOR
17.LIVIN" ON A FIXED INCOME--DA'TWINKY MAN
18.WHAT WE NEED--DIEDRA
19.POLICEMAN BLUES--GRADY CHAMPION
20.SOFT LOVE--XANTHA
21.DON'T GIVE UP ON ME--CLARENCE
22.I DON'T WANT TO KNOW--TRAE/ftTHE REVELATION
23.I'LL WORK FOR YOU--RHYTHM ALL-STARS
24.WHERE'S THE PARTY AT--SHEBA POTTS
25.GOT SOMETHING THAT WILL HOLD--PAT BROWN/ft RHYTMES ALL STARS
26.IF I LET YOU GO--WILL EASLEY
27.IM A WOMAN--NELLIE TRAVIS
28.TWO STRIKES YOU'RE OUT--MS JODY
29.HEART ACHE--BIG G
30.SLIDE AND WHIP--100% COTTON

kstone.jpg


DJ KSTONE                                         Tel:  816-525-3622
228 SE Bordner Dr                               Cell  816-210-2591
Lees Summit, MO
kent.wallace@us.army.mil 
Southern Soul Blues Needed In The Two Kansas Cities 10/24/2008

1. Will Easley - Loop The Loop 
2. LJ Echols - From The Back
3. Lee Shot Williams - Wrong Bed

4. Steve Perry-Booty (Remix)

5. Jeff Floyd - Lock My Door

6. Sweet Angel - Guilty As Charge

7. OB Buchana - You Just Playing Wit  It

8. Wilson Meadows - I Wanna Get Witcha Baby

9. Mr. Zay - Get The Hell On

10. Sir Charles Jones - I Came to Party

11. Da Twinky Man - Living On A Fix Income

12. Chandra Calloway – Look Who’s Jody Now

13. Rue Davis - I’m Giving Up The Streets

14. T.K. Soul -  Soul Ship

15. Cherome -  Let Me Hit It

16. Rhythm Allstars – I’ll Work For You  

17. Nellie Travis -  M O D

18. 100% Cotton – I Can’t Take It

19. Stan Mosley - Mr. DJ

20. Kenne Wayne - Georgia Pine

21. Sheba Potts Wright - You Been Sleeping On The Job 

22. Pat Cooley - Boy Toy

23. OB Buchana - Just Because He’s Good to You

24. Omar Cunningham - The Beauty Shop

25. Luther Lackey - I Don’t Care Who’s Getting’ It

Adds:

Simeo - Southern Soul Pimp
Ms Jody & OB Buchana - One Way Love
Marvin Sease – Quiet As It’s Kept
April - Lets Go To The Club
Ricky White - So Good To Me
Mr. Sam - Rush N You
April Wynn - Funk Dhat
Donnie Ray – Bang That Thang
Ms Jody – Shake Your Booty
10.Clarence Dobbins – Don’t Give Up On Me

11. Charles Wilson & Simeo -  Without That Boom

12. TJ Hooker Taylor – Got To Get My Money Right

     13. Diedra - Keep It Mov'in

1554114100_m.jpg

DJ lady Dynomite
Happy Hill Country Club
 
send product to:
8081 meadowdale drive
Gautier Ms.39553my#228-497-0377r my cell #228-424-1303
madeline hampton(dj.ladydynomite)
 

 
 
 
 
 
1.you're just playing with it-o.b buchana
2.souther soul pimp-simeo
3.i made it-bettye padgett
4.boneitlikeownit-lilfallay
5.call me-al lindsey
6.living off fixed income-datwinkyman
7.i wanna get witcha'-wilson meadows
8.my story-sir charles jones
9.window shopping-soul children
10.where's the party at-sheba potts-wright
11.tell the truth-bob steele
12.honey from the bee-william bell
13.lock the door-jeff floyd
14.100% cotton-terry cotton
15.got something that will hold him-pat brown feat.rhythm all stars
16.what you wnt me to do-theodis ealey&latimore
17.so good to me-ricky white
18.let's go to the club-april
19.somethin' somethin'-sergio davis
20.sometimes you win-david brinston

derrickpicture4.jpg


Derrick (DJ Captain D) Davis
New Orleans, Louisiana
derrick.davis3@us.army.mil
Comm:  504.398.7239
Cell:      318.278.7680
 
 
 
 
 10 Oct 2008
1.  I Came To Party - Sir Charles Jones
2.  I Made It - Betty Padgett
3.  This Old Music - Omar Cunningham
4.  Let's Get It Poppin - Nellie Tiger Travis
5.  Southern Soul Pimpin - Simeo
6.  2 Steps - Nathaniel Kimble
7.  Cheap Azz Bottle O' wine - Mr. David
8.  She's My Woman - Marvin Sease
9.  Nite & Day - Team Airplay Allstars
10.  Window Shopping - The Soul Children
11. Soul Singer - Mr. Sam
12. Booty Roll - Steve Perry
13. Soul Swing - Sang'n Clarence
14. I Don't Care Who's Gettin It - Luther Lackey
15. Shaking Your Tree - Lee Shot Williams
16. Lock My Door - Jeff Floyd
17. You're My Joy - Archie Love
18. Get Right - Dexter Allen
19. If I Let You Go - Will Easley
20. Georgia Pine - Kenne Wayne
21. Shake Something Loose - Jeff Floyd
22. From The Back - LJ Elchols
23. Witness - Reggie P
24. I Can Love You Anyway - Prince Kenyatta
25. Matter Of Time - Clarence Dobbins
--
Derrick (DJ Captain D) Davis
New Orleans, Louisiana
djcaptaind@gmail.com
Comm:  504.398.7239
Cell:      318.278.7680

p1010046b.jpg

Homeboy production & Ent
2006 Echols St. Bryan Texas 77801
979-703-4837
TOP 15
1. NEW LEASE ON LIFE - WILLIAM BELL
2. IT AIN'T CHEATIN' TIL YOU GET CAUGHT - TK SOUL
3 KENNE WAYNE - SOUL BLUES
4. TWIST - TEAM AIRPLAY
5. I FEEL LIKE BREAKIN' UP SOMEBODY'S HOME - BIG CYNTHIA
6.I'M IN LOVE WITH A CRACKHEAD - DA TWINKY MAN
7.PLEASE LET ME IN - THEODIS EALEY
8.SCAT CAT HERE KITTY KITTY - BILLY SOUL BONDS
9.ZYDEFUNK SLIDE - LIL FALLAY
10.SHOW ME SIMONE DE
11. I'M JUST A FOOL FOR YOU - J BLACKFOOT
12. BOOTEE CALL - CHICK WILLIS
13. RIDE MY PONY - RICKEY WHITE
14.WHAT GOES N DA CLUB STAYS N DA CLUB - BARKAYS
15.EVERYDAY IS A HEARTACHE - LACEE
16.RICK E BLUEZ - PINK PANTIES
17.DOG KINDA LOVE - DICKEY WILLIAMS
18.PLUMBER MAN - CHARLES WILSON
19.FRED BOLTON - I'M GONNA GIT MINE
20.PATRICK GREEN - POPCORN MAN
 

tomigreen.jpg

 
Tomi Green
North Charleston  Entertainment
Charleston, SC 29403
(843) 727-0100
 
 
Top 10:
1.  Its because Of Me Stevie J
2.  TK Soul - It Ain't Cheatin'
3.  Betty Padgett - Never Going Home
4.  I Thought She Was Bigg Robb
5.  Wake Up To A Stranger   Dee Bradley
6.  Ms. Jody - Your Dog Ain't About To Kill My Cat
7.  I Like Big Girls Bigg Joe
8.  Billy Soul Bonds - Scat Cat
9.  Gwen McCrae & Latimore - Let's Straighten It Out
10. Sterling Williams - Know Your Hole From Mine
 
Contact Tomi Green @ (843) 727-0100 or (843) 554-9107
Send product for Tomi to this mailing address:
2311 Buchann Ave.
Charleston, SC 29405

djmikehall.gif

DJ Mike Hall’s Southern Soul Chart

 June 14, 2007

DJ Mike Hall 301 807-2550

Top Hits

Let’s Straighten It Out – Gwen McRea & Lattimore

Same Woman – Archie Love w/ J Blackfoot

I’m Just A Fool For You – J Blackfoot w/ Sir Charles Jones

Bootee Call – Chick Willis

Feel Like Breakng Up Somebody’s Home – Big Cynthia

Dance A Hole In The Floor – Maurice Davis

Ten Carat Ring – Jill Sharp

Gonna Ball Tonight – Jeffrey Singleton

Meet Me Tonight – Jim Bennett & Lady Mary

Block Party – Chuck Brown

Up & Coming My Miss America – Willie Clayton

Somebody Else – Lenny Williams

Baby Come Back Home – Vick Allen

Mississippi Woman – Denice LaSalle

Love Makes The World Go Round – David Sea

Send product you want pushed to the address below, and it’ll be my pleasure to help expose this music.

DJ Mike Hall

http://djmikehall.net

djmikehall@comcast.net

301- 807-2550

13903 Lullaby Rd.

Germantown, MD 20874

=========================================================================

**********************************

leo_green_ezr.jpg

Leo Green- BYOB Enterprises
1241 Woodside Glen Wy
Sacramento, CA 95833
NE14Hapkido@aol.com
 
 
HOT
JoJo Murry
Willie Clayton
Mel Waiters
Mr. DAvid
Sir Charles Jones
 
Adds
J. Blackfoot
Theodis Ealey
All Artist that have steppin music
Mixx Mster Lee REd Rum
 
NEW REPORTER NEEDS SERVICE FROM ALL

****************************************

djdwayne.jpg

DJ Dwayne
D.A.Evans
1824 Idell st.Mobile,AL36617
Dwayne A Evans@aol.com (cell(228-366-0391)or251-370-7848
purple lounge(mobile,al)
brown's lounge(mobile,al)
uptown's(prichard,al
 
DJ D-Dwayne
My Top 20 for the week of 9/11 - 9/17:
 
20) New Lease On Life- William Bell 
19) Weekend -Sergio Davis
18) She Was Cheating Better Than Me - Rick Lawson
17) Can't Nobody Love Me Like You Do - Lenny Williams
16) Crazy Over Losing You - Willie Clayton
15) Can We Get Along - Big Rob
14) Whip It On Me - LeeMorris
13) Tire Of That He Said She Said Mess - Bobby Rush
12) The Way We Roll - Jackie Neal
11) Cheating And Lying- T K
10) Blues Party - Lil Phil
 9 ) Coffee - LaBrado
 8 ) Swing Song- T K
 7 ) Throw Back - Mel Waiters
 6 ) Why Me - Reggie P
 5 ) Wendell B- Heaven Sent Me An Angel
 4 ) I Just Love That Man - Whitney Houston
 3 ) Francine - Theodis Ealey
 2 ) Scat Cat - Billy Soul Bonds
 1 ) Yo Dress To Short - Bob Steele
 
Hottt!! New Request Request:
" Just Don't Understand You" - Wendell B
 
Contact Info: DJ D-Dwayne (Dwayne A. Evans)
Location: South East Alabama & Mississippi Gulf coast
228-366-0391or 251-404-6699
dwayneaevans@aol.com
 
 































The Keeping the Blues Alive Awards

Memphis, TN "Twenty-two individuals and organizations will be honored with The Blues Foundation's 2009 Keeping the Blues Alive (KBA) Award during a recognition brunch at the Downtown Doubletree Hotel Saturday, February 7, 2009 in Memphis Tennessee. The KBA ceremony begins at 10:00 a.m. and will be held in conjunction with the 25th International Blues Challenge (IBC) weekend of events that will feature the semifinals and finals of the world’s largest gathering of Blues bands, as well as seminars, presentations, and receptions for Blues societies, fans and professionals.

The Keeping the Blues Alive Awards recognize the significant contributions to Blues music made by the people behind the scenes. Each is selected on the basis of merit by a select panel of Blues professionals. KBA Chairman Art Tipaldi notes with respect to this year’s recipients, “As is often the case, this year the committee recognized some individuals that have long-deserved to be honored as well as identifying others who have made a very impressive mark on Blues music in a relatively short period. Once again, the honorees cover the United States map. In addition, two Italian organizations were selected for their commitment to the Blues genre in their country.

The 2009 Keeping the Blues Alive recipients are:

1. Agent: Steve Hecht, Piedmont Talent, Charlotte, NC

2. Art and Photography: Dusty & Val Scott, Dusty Blues, Pittsburgh, PA

3. Blues Club: B.L.U.E.S, Chicago, IL

4. Education: Monroe County Black History Month, Monroe County, MI

5. Festival: Telluride Blues & Brews Festival, Telluride, CO

6. Film, Television and Video: Willy Bearden, Memphis TN

7. Historical Preservation: Shack Up In, Clarksdale, MS

8. International: Associazione Roots ‘n’ Blues, Parma, Italy

9. Internet: Pandora.com, Oakland, CA

10. Journalism: Hal Horowitz, Marietta, GA

11. Literature: Craig Hopkins, Cedar Hill, TX

12. Manager: John Hahn, New York, NY

13. Organization: Washington Blues Society, Seattle, WA

14. Print Media: Il Blues, Milan, Italy

15. Producer: David Z, Nashville, TN

16. Promoter: Omega Events, Lake Forest, CA

17. Publicist: Betsie Brown, Blind Raccoon, Memphis, TN

18. Radio Commercial: Kai Turner, Denver, CO

19. Radio Public: John Kessler, Seattle, WA

20. Record Label: Delta Groove, Van Nuys, CA

21. Retailer: Manifest Discs, Charlotte, NC

22. Sponsor: Barbara Hammerman, Gig Harbor, WA

Tickets to the KBA ceremony are available online at www.Blues.org. The IBC weekend, commencing Wednesday, February 4, 2009, is sponsored in significant part by ArtsMemphis, bandVillage, Budweiser and its local distributor D. Canale Beverages, FedEx, Legendary Rhythm & Blues Cruise, Memphis Convention & Visitors Bureau, Smokin Bluz, Sonicbids, Tennessee Arts Commission, Tennessee Film, Entertainment and Music Commission and XM Satellite Radio. Additional sponsors include: Beale Street Merchants Association, Tommy Clifton Art, Doubletree Hotel, Gibson Guitars, Holiday Inn Select, Memphis Grizzlies and the Residence Inn by Marriott.

Media Sponsors include Beale Street Caravan, Big City Rhythm and Blues, Blues Blast, Blues Festival Guide, Blues Revue, BluesWax, Downtowner, House of Blues Radio Hour, Living Blues, Memphis Flyer, WREG-TV and XM Satellite Radio.

The Blues Foundation is a 501(c)(3) non-profit organization dedicated to preserving Blues history, celebrating Blues excellence, supporting Blues education, and ensuring the future of this uniquely American art form. It is the umbrella organization for a worldwide network of 165 affiliated Blues societies and has individual memberships around the globe. In addition to the Keeping the Blues Alive Awards, The Blues Foundation produces the Blues Music Awards, the Blues Hall of Fame Induction, and the International Blues Challenge. For more information on how to support The Blues Foundation check us out on the web at www.Blues.org.

Blues Blast Music Award Winners Announced At Buddy Guy’s Legends

The winners of the 2008 Blues Blast Music Awards were announced Sunday November 2nd, 2008 at a Gala Blues celebration at Buddy Guy’s Legends in Chicago, IL.

The award winners are:
Best Contemporary Blues Recording  - Holmes Brothers - State Of Grace
Best Traditional Blues Recording - Lurrie Bell - Lets Talk About Love
Best New Artist Debut Recording - John Németh - Magic Touch
Best Blues Song - Nick Moss - Mistakes from the Past
Best Male Artist - Buddy Guy
Best Female Artist - Koko Taylor
Best Blues Band - Magic Slim & The Teardrops
Sean Costello Rising Star Award - John Németh

Blues Blast Magazine also awarded their first ever Lifetime Achievement Award to Delta Blues Legend David ”Honeyboy” Edwards. The Lifetime Achievement Award recognizes significant contributions and a lifetime body of work in the field of Blues music.

The ceremonies included performances by Magic Slim & the Teardrops, Lurrie Bell, Matthew Skollar, Nick Moss, Gerry Hundt , John Németh, The Kilborn Alley Blues Band,  Dave Riley, Bob Corritore, Eden Brent, Sugar Ray Norcia, Teeny Tucker, Gina Sicilia, Dave Gross, Tim "Too Slim" Langford and others.

The winners were chosen by the 11,000 Blues Blast magazine readers from all 50 states and more than 40 countries voting at the IllinoisBlues.com website. There was no cost or fees to be eligible to vote. These awards truly represent the Peoples Choice for the best in Blues music.

Celebrity award presenters included Eric Steiner, president of the Washington Blues Society, Linda Cain Publisher of ChicagoBluesGuide.com, Chicago Blues woman Deb Seitz, August “Lordy” Lord, owner of ChicagoBluesBeat.com , Blues Writer James “Skyy Dobro” Walker, Blues Songwriter, Musician, DJ and Journalist, Ben Cox, Matt Eimer, Promoter of the Simply The Blues Fest in Fort Madison, Iowa and Kate Moss Publicity director for Blue Bella Records. 

The sponsors of the Blues Blast Music Awards were WGL Blues 24/7 a FREE  online Blues Music stream and Podcast from WGLT radio, a public radio station in Normal, Illinois (www.WGLT.org) and The Chicago Blues Guide (www.ChicagoBluesGuide.com)

Blues Blast magazine is a FREE weekly Blues “web-zine” available from IllinoisBlues.com. The Blues Blast Music Awards recognize the best of today’s Blues music.

A group of Blues industry professionals including artists, music writers, radio D.J.’s, artist managers and festival promoters selected five nominees in each of the eight categories. Voting for the awards took place during July and August online at the IllinoisBlues.com website. More than 2000 votes were cast and the awards ceremonies were a celebration of the artists and the music that represent the best in Blues music today

 Reprint By Request
 
 
 
The Bastardization of Soul
by Jerry Boogie Mason
The BoogieReport

 
In order to understand the development of  so called southern soul music  you got  to go back to when African slaves were brought to America.
The first statutory recognition of slavery occurred in Massachusetts in 1641, in Connecticut in 1650 and Virginia in 1661, but these were mainly rules for dealing with runaways.  By the time the war of independence began (1775-1783) laws defining their legal, political and social status with regards to their owners had become very specific. Te help them deal with the  pain and humiliation of their condition slaves developed a series of "work songs".
as the slaves became converted to Christianity  the slaves saw hope that someday they might be free the 'work songs" evolved into what we will call
spirituals which later became Gospel Music.
 
As the Civil War approached and the light of freedom seemed to be within view the spirituals took on a dual purpose.some of them contained secret messages as to where meeting would be held along with other important information.The songs were structured in a manner to insure the message was understood. The first  message was always repeated 'example' I'm gonna meet sweet Jesus early in DA morning down by DA river. I'm gonna meet sweet Jesus early in DA morning down by DA river. "I'm gonna wash my soul and then Ill be free".These  work songs or field Hollers were an effective means of communication.
 
Then Came The Blues
After the Civil War the Spirituals evolved in to  Gospel music  celebrating the Jubilee or the Glory Of God.On the secular side of the coin the message in the music changed to address everyday life situations working conditions more and more this music  eventually became known as The Blues.
Just like the spirituals the basic blues design was then and is even today a 12-bar form that is divided into three sections of four bars each or stanzas. The second line of each stanza repeats the first, and the third line expresses a response to the first two. Many blues lyrics reflect loneliness or sorrow, but others declare a humorous or defiant reaction to life's troubles.Over the years there has been quite a bit of confusion as to what constitutes a Blues song. Originally any song that didnt  mention Jesus was considered  Blues Music.The Blues became more widely known in the early 1900's. A bandleader named W. C. Handy began to publish blues songs that won wide popularity. Handy's compositions include "Memphis Blues" (1912) and "St. Louis Blues" (1914). In the 1920's, Bessie Smith emerged as one of the most talented and popular of the classic blues singers. Recordings by Bessie Smith, Mamie Smith, Ethel Waters, and others helped bring urban blues to a larger audience. In the 1930's, boogie-woogie, a blues-influenced style of piano music, became popular.here we have another split the development of Dixieland and early jazz we see the emergence of Big Band Music.the form of the music the instrumentation all changed some scored in 4 bar  8 bar  12 bar configuration the repeat the first stanza was also gone except in original blues which was still the preference in the south.
 

Then Came The Great Migration
 
Just before, and during World War many blacks migrated from the agricultural south to the more industrial Mid-Western, North-Eastern and West-Coast Cities.  This population shift was caused by relatively high paying wartime employment.  It was this new urbanized demographic group which evolved a new style of secular music known as R&B.  a fast-paced blues hybrid style with an aggressive, driving beat emerged through recordings released by independent American record companies. This music, which was aimed primarily at a black audience, was known as rhythm and blues. Roy Brown recorded “Good Rockin’ Tonight” (1947), and Wynonie Harris recorded “All She Wants to Do Is Rock” (1949), two rhythm and blues standards that helped shape rock ‘n’ roll. Big Joe Turner introduced the song “Shake, Rattle and Roll” (1954), which became a standard among rock music performers. many record companies and radio people  Started using the term Rhythm and Blues  .You had stations  like WDIA in Memphis WERD in Atlanta Playing this music. Since this music was not pure Blues and the term Race Music
had become socially unacceptable The term Rhythm and Blues was coined. Rhythm and Blues was the  mainstream until the late fifties and early sixties
saw  DooWop being added to the mix.The refinement of Rhythm and Blues  and what a lot of radio people thought was stigma attached to the term BLUES. The term
Soul Music was coined and was popularized buy Sam and Dave's Soul Man on St ax records. The  term Soul was utilized to describe all Black music until the advent of the DISCO ERA Which brought about The FUNK Revolution whish gave Birth to Rap and Now Hip Hop. all while the genre were exploding
The basic  genres Blues and  Soul continued  to survive and maintain an audience which had shifted mainly to Europe and America' White population and college campuses which is where its strength is today.Soul has survived and enjoys a re birth mainly in the Southern United States.Artist Like OV Wright ,Little Milton ,Tyrone Davis, Denise Lasalle, Johnny Taylor,Otis Clay,Betty Wright,Bobby Rush,William Bell, Ernie johnson  and many others have kept the soul genre alive through  the Disco, Funk Rap and Hip Hop eras.
 
Southern Soul is   music that had gone to church, and remembered the lessons it had learned there. It is a deep, truly heartfelt sound. Soul was what you got when Brother Ray Charles changed the lyrics to an old gospel song he'd probably sung growing up in Florida and released it as "I Got A Woman" in 1954. Soul was James Brown and the Famous Flames' "Please Please Please." It grew from the parentage of B.B. King and the Soul Stirrers, the Five Blind Boys of Alabama, Bobby "Blue" Bland, and Hank Williams. It was nurtured on the streets of Memphis and Macon, Georgia, in the juke joints or the clubs that made up the chitlin circuit, and grew up to be the sound of the south for a generation. And make no mistake, soul, true soul, was southern.
 
What came out of the Motor City was often called soul,
cause Motown emerged in the Soul Music Era
But Listen To Birmingham Born Eddie Kendrick and Mississippi Born David Ruffin and you hear Southern Soul .The term Soul was used to make the music more 
Marketable to White audiences .
 It was a catchy song, well performed, that vanished when the next catchy song came along a couple of months later. It was product, skin deep. Soul, real soul, the kind that could only come from below the Mason-Dixon line, was never so ephemeral - or so calculated. Maybe it was because, for African-Americans there, life had always been hard, and music had been one of the  few  releases from an endless grind. So it had to hit home, it had to penetrate to the core. So it went below the skin, past the veins are the arteries, all the way to the bones and the heart all the way to the soul.
 
Soul never pretended to be anything other than basic music. It was always about the feel, not fancy arrangements - if anything, less tended to be more. Get the groove, get in the pocket, keep it tight, and let the singer hit you right where you lived. For a decade and a half, soul was a soundtrack of America, a music that went all over the world, but kept its feet firmly planted in Southern soil. The labels - Sound Stage 7, Malaco, SSS, Fame, even the might Stax - might have been small, often shoestring, operations, but what they put out made people sit up and listen. The studios at American, Stax, and Muscle Shoals became revered names for their sound and the funky economy of their musicians.
 
Unlike its northern counterpart, Southern soul had space - what wasn't played was as important as each note hit. For all its African-American associations, soul was essentially a music without color. Otis Redding was black, Solomon Burke, Clarence Carter, Joe Simon, and a whole string of acts, but take a listen to Charlie Rich's demo for "Feel Like Going Home," just him and his piano, or Eddie Hinton singing "Hard Luck Guy," Dan Penn on "I Hate You," or any Steve Cropper guitar break (not to mention the Muscle Shoals band) and it's apparent that soul was color blind.
 
And the fact that it could cross racial boundaries is important. Most people think of the South in the Sixties as a place where segregation lingered on, even after the Civil Rights movement. Maybe it did - but not in soul. Not when half the house musicians at Stax, Fame, and Muscle Shoals were white, or when the writers and producers (like Chips Moman and Rick Hall) were white guys, coaxing these deep, deep performances from the singers. Soul, to put it briefly, was feeling, the weight of history and hurt put in a time and place and pressed on vinyl.
 
The Bastardization of Soul
 
Today if you don't live in the south its almost impossible to listen to true southern Soul music on the radio.
The reason being that the powers that be have decided not to market this genre.
 Even with organized opposition Southern soul still survives.
Part of the problem started in the early sixties when schools like Columbia School of Broadcasting were turning out Disc jockeys like Fords off the assembly lines
The young graduates mostly from the North were told to go down south and apply for jobs at radio stations often times these young jocks would arrive in the
south with no knowledge of the culture of the people or the history of southern music.as time passed and with  along with a little help from the buddy system these young  broadcasters slowly gained control of key radio stations and slowly but surely began to relegate southern soul music to block programming and in most cases  dropped southern soul from play list all together  less airplay means less sales Companies are not going to support a genre where they don't see any return.  In spite of this Southern soul and independent Soul labels continue to survive. They  stopped using the term  Rhythm and Blues because of what they thought was the negative connotation of the term Blues ,Then They stopped using the term soul when Disco was the flavor of the day.they started using the term URBAN RADIO to keep from saying Black Radio now its  HIP HOP and R&B. hundreds of station use the term But you can listen from now until the cows come home and you want hear any Blues what does the B in R&B stand for ?When you question Today's programming gurus they will tell you that their audiences are too sophisticated for Southern Soul Music .
 
TRUE STORY
 
It was the early 70's a young DJ went from Little Rock Arkansas to Memphis became very popular and was offered a job at WUST in Washington DC.
When he got there and saw his play list there was nothing on the list but Doo Wop and Motown . He went out in his car" you could do that in those days' and got his personal collection he brought some Johnny Taylor, Joe Tex,Otis Redding O.V Wright and a few others and began to skillfully mix Southern Soul Music into the mix his pick was Rock Me Baby a straight up 12 bar blues by BB King, and of course you know the phones went crazy.of course one of the calls was from his GM who advised him that the audience was Too sophisticated for such music.next day our young DJ did the same thang this time giving out the GM's home number and station number at each break advising the listeners to call and tell the GM if they liked what he was doing. When he got off the air the hotline rang and he was summoned to the corporate headquarters , he just knew he was gonna be fired,but upon his arrival he was surprised to find the four blocks around the headquarters were grid locked with listeners and well wisher who had showed up to voice their support for  our young DJ and Southern soul Music as he fought his way through the crowd he was greeted by the GM like a hero returning home with a great victory. As for as commercialism is concerned Swartz Bros The big record distributors ordered 26000 copies of Rock Me Baby after only two days of airplay.That young DJ went on to make  musical history
His name. AL BELL now you know the rest of the story.
 
Today we have a new crop of Soul Singers that carry on a proud tradition of music that reflects the lifestyle of a people.Not selling dope or pimping hos .Not shooting up somebodys home.
 
Sir Charles Jones is of these new school Southern Soul
artist who signs about love life family relationships.
 
Omar Cunningham address economics with his hit living Check to Check.
 
Vick Allen one of the most talented artist and producers
addresses problem solving with his hits Id better walk away. and clean house.
 
TK Soul an electrifying talent with an outstanding live show one of the hardest working artist on the circuit today.
 
Southern Soul boast a new crop of talented female artist
Lakiesha  Burks. Ms. Monique, Sheba Potts Wright.
plus there are many many talented undiscovered young
talent waiting in the the wings wwaiting for their chance to contribute to the continuing story of southern soul music.
 
Sir Charles Jones,Mel Waiters, WillieClayton,Marvin Sease,Shirley Brown,Denise Lasalle, Roy C. Solomon Burke ,Clarence Carter,Theodis Ealey and Stan Mosley  are Southern Souls New Royalty .
 
Its a shame Its a disgrace that an art form with such an
outstanding history is relegated to little to no radio play
even in Southern Markets. Atlanta Georgia Shame On You. Birmingham Alabama Shame On You, Baton Rouge Louisianna Shame On You. Miami Florida Shame On  You. Nashville Tennessee Shame On You.
Shame Shame Shame Shame Shame Shame
 
 
 
sources used in this article;
 
 

2008 Blues Music Awards on Beale Street Ca
ravan
As always, Beale Street Caravan will be broadcasting portions of the 2008 Blues Music Awards. The first segments will air the weeks of October 29, November 12 and November 19. Beale Street Caravan could possibly be airing more Blues Music Award highlights this season. The schedule is posted online here Beale Street Caravan,® the most widely distributed Blues radio program in the world, attracts more than 2.4 million listeners each week. Produced in The Home of the Blues - Memphis, Tennessee - Beale Street... <more>
------------------------------------------------------
 
 
A new museum honouring BB King has just opened in Mississippi

Various signs are pinned haphazardly to a shack of unpainted cypress wood, topped with a roof of galvanised, corrugated steel. One of them says the dress code should not be "like this", pointing to a picture of a man wearing a back-to-front cap. Another one lists a number of other rules for those who enter. These include "No dope smoking", "no beer", and a defiant, "no rap music".

This seems fair enough. There is no room for the latest fashions here at Po' Monkey's. This blues bar in the heart of the Mississippi Delta is widely considered to be one of the last surviving rural "jook joints", or the drinking dens that existed before the emancipation of slaves in the United States. ...<more>

----------------------------------------------------------------

Councilwoman excited about new blues marker

 

Over the past few years, the Mobile Street Renaissance Festival has brought much needed attention to Hattiesburg's historic Mobile Street community. This year, the community will be known not only as the home to the festival but also a home of the blues.

 

At 8:30 a.m. Oct. 18, a Mississippi Blues Trail Marker will be unveiled at 610 Mobile St., a kick-off for the day's events. The markers, which are located across the state, are a part of the Mississippi Blues Commission, a group designed to educate the country on blues music and its culture. Each marker is themed toward that area's contribution to the genre; Hattiesburg's marker will be named "Hattiesburg Recording Studios."

<more>

-----------------------------------------------------------------------------------------

SOUL MUSIC IN 2008 NOW CALLED SOUTHERN R&B

Remember Otis Redding, David Ruffin, Elvis Presley, Marvin Gaye, and Wilson Pickett?? Remember when it was straight from the soul with a lot of love? It's back with a new twist!!!

 

Jayibee, out of the south from Tuscaloosa, Al, has developed this new sound and genre called Southern R&B. The developing genre has a positive combination of soul, gospel, r&b, and country mix all in one, giving a lasting sensation for music that will last forever. Jayibee's smooth and sensual vocals captures deep emotions while listening to his soulful sounds<more>

 

 

bannerreedit.jpg

Boogie Radio 2008 The Best Southern Soul Rhythm and Blues Mix On The Planet Boogie Jams Boogie The Best Southern Soul Rhythm and Blues Mix On The Planet

Search this site or the web powered by FreeFind

Site search Web search